1,707 Royalty-Free Audio Tracks for "Processed Recording"

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Effect recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed.

Sampled sound recorders alto yamaha yra-302biii (production in japan) processed reverb program wavelab 6. Sample recorded using a condenser microphone, oktava mk-220 and sound card m-audio 18/14 firewire.

While i was re-installing some pluginssince you know the implosion of the maci thought i'd do a little exercise &take my 'r we recording this shit' shit recording& process some dsp on it_ _ _just for fun. 17 dec 2020a+j. J. A. A. P. P.

Me spraying a bug. No bugs were harmed! applied pitch bend, tempo and noise reduction. Recorded on conexant smart audio and at2020 usb mic, processed with audacity.

Clay pottery breaks on concrete floor, 4x. Ortf stereo;recorder: dr-60d mkii;microphone: 2x mk 012, cardioid;processing: compressor, denoiser.

Test sound for "audio signal processing for music applications" class. Guitar: guild ad-3recording device: galaxy nexus 2 (i9250) internal microphone. Recording date: november 23, 2014. Https://class. Coursera. Org/audio-001/.

I needed the sound of snakes hissing angry on the head of a "medusa" in a helloween-radioplay - so here they are :) recorded with beringer b10, esi maya and adobe audition, done some processing (eq, light chorus) - the sound is loopable!.

Phone recording (processed as wav) of melbourne traffic lights — pushing button and waiting for pedestrian crossing. Distinct mechanical 'clack' sound of the crossing (totally different from sydney), with cars driving over tram tracks.

Hit with another glass. Long decay time. Quite nice for sampling. 400 hz ≙ ~g4. Recorder/mic: zoom h4n pro (stereo x-y)processing: denoiser.

Actually made with distorting, bitcrushing, and downsampling a recording of an electric drill (with this type of heavy processing the source material doesn't really matter much though). No chips or tunes were harmed in the making of this sound.

Created with a sound i made but used directwave from fl studio to change it into a sci-fi sounding ringtone. Recorded from fl studio 20 to audacity, processed in audacity.

I recorded this sound from the backyard on 3. 13. 19 on a cold morning around 8:10am arizona time. It was damp from the rain overnight. I processed the audio in logic by placing a high-pass filter and a limiter.

Low rumble of an office chair rolling and dragging against the floor. Multiple takes, slow/long and fast/short ones. Recorded with a røde videomic from close range. Processed slightly, a little hiss remains.

Heavy gusts of wind blowing. Sorry, its only about 50 seconds, i used the part with the least wind clipping. Recorded with zoom h1n with post-processing to reduce the loudness of wind clipping.

Checking ammo status of sharpshooter style foam dart gun. Recorded with shure mv88. Minor processing with rx8.

Actually made with distorting, bitcrushing, and downsampling a recording of an electric drill (with this type of heavy processing the source material doesn't really matter much though). No chips or tunes were harmed in the making of this sound.

drum emulation sounds i made with my mouth, just for fun! recorded with xperia phone, and then denoised, trimmed and some are normalised. No further processing is applied, so you can edit them as you like.

Here's a hummingbird recorded at 96khz, then filtered and slowed 900%, resampled to 44. 1you can hear the individual wing strokes and the chirps now sound something like the monsters from the movie "pitch black".

Dropping cut bits of copper and pieces of metal on a hardwood table, recorded and processed in audacity.

Remix of reinsamba's excellent nightingale recording. Soundtrack for a "videoscape" inspired by farid ud-din attar's conference of the birds. Full av version "the nightingale's excuse" streams from http://www. Videochris. Com/flash/nightingale/nightingale. Html.

Sound of tractor on landfill. Tracktor starts working crushing garbage. Sounds of beeps during reverse gear. Recorded on zoom h4n using røde ntg2 microphone. No post processing.

Long sound effect of a seemingly massive explosion inside a large building. Created using many different recordings, processed in audacity.

Heavily pounding bassdrum originally made from 10 litre bottle punching sounds recorded with my fake shure c608 mic and heavily processed by adding some modulations, distortions, layering some attack and setting bass part (under 200 hz) to mono. Will be nice choice to produce hip-hop drums, or experimental techno also for making cinematic thunder-like booms.

A snippet of myself laughing during a recording session. Recorded with an audiotechnica 4050 through an allen & heath gs-r24 in a sound-proof room at the sound studio of belgrade's faculty of dramatic arts. No processing has been applied in the form of eq or compression.

Effect recorded from the field of the zoom h6 recorder and then processed. Software :soundmorph timefluxnative instruments replika effecteditor audio wavosaur.

A power chord recorded with an ibanez, processed through guitar rig and some other guitar amps, and time-streched with paulstretch. Two recordings used for stereo. I also added some reverse reverb.

Recording of a 1993 mcdonalds 'sound machine' toy's clicking dial as i wind it forwards and backwards. Some squeaking of the plastic as the knob turns. Recorded with a blue yeti usb microphone in cardioid mode. No post-processing. Could be used for a plastic safe sound or winding a toy.

Various sounds recorded in a traditional blacksmith's workshop. Furnace can be heard in the background. Includes hammering a horse shoe on an anvil and cooling it in water. Also includes blacksmith getting a burn from the horse-shoe and talking about it! no post-processing.

A simple guitar gesture played on a blueridge br-63 with old strings, recorded with a zoom h4n about 8 inches away from and pointed at the sound hole, reduced to mono with audacity. This sound was recorded for the purposes of harmonic + stochastic analysis in xavier serra's coursera class, audio signal processing for music applications.

A wooden door creaking dramatically on its hinges, and letting out a very long and sustained groan. Recorded on zoom h2n with rode nt4 in shockmount. Normalised, topped and tailed, no further processing or editing.

Stereo-recording at home from my external hard-disk drive, turning as it is working on a large file, steady with only few variations. Slightly processed.

Stereo recording taken inside a tram in oslo, norway. The tram drives, stops, people gets on and off. Some people talking norwegian a few meters away from the microphone. Recorded on a zoom h4n with the built-in microphones. Not processed. 24 bit / 48khz.

A soundbite from a field recording of a maidar (future era buddha) "circumnambulation" (was nor really a circumnambulation but they kind of call it that)-a religious procession held anually on the streets of ulaanbaatar from the biggest active monastery in the country to a second biggest in the city both located on opposite sides of the central part of town. Recording from may 2011.

Everybody has to try their hand at making fart noises. Recorded using a blue yeti microphone through audacity. No-post processing. As can probably be guessed, i made it using my mouth.

Clock was ticking. I was killing flies. And a peddler was approaching. Stereo recording via my xz1 compact. Faded out via audacity, no further process. You may add a compressor or limiter if necessary.

Recorded with sennheiser mkh 416 p48 & spl track one & rme babyfacecarefully processed. Feel free to use!.

Two single thunder sounds (one soft and one louder) with rain in background, on a summer night. As i recorded it on my balcony, you can hear the gutter drip too. Recorded with a tascam dr-05. No post-process.

Effect recorded from the field of the zoom h6 recorder and then processed. Software :soundmorph timefluxnative instruments replika effecteditor audio wavosaur.

24-bit analog saw wave oscillators from the arturia microbrute. - ranges from c0-b6- recorded through a focusrite scarlett 2i4 into ableton without any additional processing- samples are recorded @ 120bpm and are 4 bars each (8 seconds). Enjoy.

I played this ironfence to a church next to my house at latenight, the wind in the background gives a nice deep dimension to it, wind works almost like a sidechain tuch. Recorded with r-09, processed in logic 8 add. Reverb. East jutland, holme, århus, denmark.

This is my wind entry for the competition. It's derived from some recorded voice and putting a microphone in various containers while the wind was blowing. I was able to get some interesting sounds from this, then i used some mutation effects, convolution, and phase vocoding to combine the voice and the wind sounds into this short piece.